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Waiter Wood Print featuring the painting Breakfast Service by Connie Schaertl


Top Mat

Top Mat

Bottom Mat

Bottom Mat



7.50" x 10.00"


7.50" x 10.00"


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Breakfast Service Wood Print

Connie Schaertl

by Connie Schaertl


Product Details

Breakfast Service wood print by Connie Schaertl.   Bring your artwork to life with the texture and added depth of a wood print. Your image gets printed directly onto a sheet of 3/4" thick maple wood. There are D-clips on the back of the print for mounting it to your wall using mounting hooks and nails (included).

Design Details

Our breakfast waiter in Monaco at the painting workshop in 2009.

Ships Within

3 - 4 business days

Additional Products

Breakfast Service Painting by Connie Schaertl


Breakfast Service Canvas Print

Canvas Print

Breakfast Service Framed Print

Framed Print

Breakfast Service Art Print

Art Print

Breakfast Service Poster


Breakfast Service Metal Print

Metal Print

Breakfast Service Acrylic Print

Acrylic Print

Breakfast Service Wood Print

Wood Print

Breakfast Service Greeting Card

Greeting Card

Breakfast Service iPhone Case

iPhone Case

Breakfast Service Throw Pillow

Throw Pillow

Breakfast Service Tote Bag

Tote Bag

Breakfast Service Zip Pouch

Zip Pouch

Breakfast Service Weekender Tote Bag

Weekender Tote Bag

Breakfast Service Portable Battery Charger

Portable Battery Charger

Breakfast Service T-Shirt


Breakfast Service Coffee Mug

Coffee Mug

Breakfast Service Spiral Notebook

Spiral Notebook

Wood Print Tags

wood prints waiter restaurant server kitchen food monaco

Painting Tags

paintings waiter restaurant server kitchen food monaco

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Artist's Description

Our breakfast waiter in Monaco at the painting workshop in 2009.

About Connie Schaertl

Connie Schaertl

Our lives are permeated with stories of all shapes, sizes and flavors, most of which we have little conscious awareness. I've always been drawn to stories, and that may well be what drew me to art. As a child I loved illustrations, and as an adult I worked as an illustrator. But simply illustrating a given story is limiting. Now that I'm free to paint what I want, I choose more ambiguity in my subject matter. Instead of merely presenting a story, I seek to stimulate a seed in the viewer, an invitation to co-create the experience of the painting according to the wealth of life, thought and perception he or she brings to the viewing. I have studied under Carolyn Anderson, Edward Povey and Michelle Torrez and have consistently won awards...



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