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Figurative Wood Print featuring the painting Necessities by Connie Schaertl

Frame

Top Mat

Top Mat

Bottom Mat

Bottom Mat

Dimensions

Image:

7.00" x 14.00"

Overall:

7.00" x 14.00"

 

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Necessities Wood Print

Connie Schaertl

by Connie Schaertl

$71.00

Product Details

Necessities wood print by Connie Schaertl.   Bring your artwork to life with the texture and added depth of a wood print. Your image gets printed directly onto a sheet of 3/4" thick maple wood. There are D-clips on the back of the print for mounting it to your wall using mounting hooks and nails (included).

Design Details

This man was a mystery when he caught my attention, and remains one. My first impression was of one of the many homeless people I see on the streets... more

Ships Within

3 - 4 business days

Additional Products

Necessities Painting by Connie Schaertl

Painting

Necessities Canvas Print

Canvas Print

Necessities Framed Print

Framed Print

Necessities Art Print

Art Print

Necessities Poster

Poster

Necessities Metal Print

Metal Print

Necessities Acrylic Print

Acrylic Print

Necessities Wood Print

Wood Print

Necessities Greeting Card

Greeting Card

Necessities Coffee Mug

Coffee Mug

Wood Print Tags

wood prints figurative wood prints man wood prints backpack wood prints homeless wood prints

Painting Tags

paintings figurative paintings man paintings backpack paintings homeless paintings

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Artist's Description

This man was a mystery when he caught my attention, and remains one. My first impression was of one of the many homeless people I see on the streets of downtown Austin. But he was clean and his gear looked new. Yet there was something very sad, maybe lost, in his expression.

About Connie Schaertl

Connie Schaertl

Our lives are permeated with stories of all shapes, sizes and flavors, most of which we have little conscious awareness. I've always been drawn to stories, and that may well be what drew me to art. As a child I loved illustrations, and as an adult I worked as an illustrator. But simply illustrating a given story is limiting. Now that I'm free to paint what I want, I choose more ambiguity in my subject matter. Instead of merely presenting a story, I seek to stimulate a seed in the viewer, an invitation to co-create the experience of the painting according to the wealth of life, thought and perception he or she brings to the viewing. I have studied under Carolyn Anderson, Edward Povey and Michelle Torrez and have consistently won awards in...

 

$71.00

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