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Tunnel Greeting Card featuring the painting Passage by Connie Schaertl

Boundary: Bleed area may not be visible.

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Passage Greeting Card

Connie Schaertl

by Connie Schaertl



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Image Size


Product Details

Our greeting cards are 5" x 7" in size and are produced on digital offset printers using 100 lb. paper stock. Each card is coated with a UV protectant on the outside surface which produces a semi-gloss finish. The inside of each card has a matte white finish and can be customized with your own message up to 500 characters in length. Each card comes with a white envelope for mailing or gift giving.

Ships Within

2 - 3 business days

Additional Products

Passage Painting by Connie Schaertl


Passage Canvas Print

Canvas Print

Passage Framed Print

Framed Print

Passage Art Print

Art Print

Passage Poster


Passage Metal Print

Metal Print

Passage Acrylic Print

Acrylic Print

Passage Wood Print

Wood Print

Passage Greeting Card

Greeting Card

Passage iPhone Case

iPhone Case

Passage Throw Pillow

Throw Pillow

Passage Shower Curtain

Shower Curtain

Passage Tote Bag

Tote Bag

Passage Round Beach Towel

Round Beach Towel

Passage Zip Pouch

Zip Pouch

Passage Beach Towel

Beach Towel

Passage Weekender Tote Bag

Weekender Tote Bag

Passage Portable Battery Charger

Portable Battery Charger

Passage Bath Towel

Bath Towel

Passage T-Shirt


Passage Coffee Mug

Coffee Mug

Passage Spiral Notebook

Spiral Notebook

Passage Fleece Blanket

Fleece Blanket

Greeting Card Tags

greeting cards tunnel passageway figurative france europe walkers menton impressionistic

Painting Tags

paintings tunnel passageway figurative france europe walkers menton impressionistic

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About Connie Schaertl

Connie Schaertl

Our lives are permeated with stories of all shapes, sizes and flavors, most of which we have little conscious awareness. I've always been drawn to stories, and that may well be what drew me to art. As a child I loved illustrations, and as an adult I worked as an illustrator. But simply illustrating a given story is limiting. Now that I'm free to paint what I want, I choose more ambiguity in my subject matter. Instead of merely presenting a story, I seek to stimulate a seed in the viewer, an invitation to co-create the experience of the painting according to the wealth of life, thought and perception he or she brings to the viewing. I have studied under Carolyn Anderson, Edward Povey and Michelle Torrez and have consistently won awards...