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Motorcycle Tote Bag featuring the painting Grandpa's Harley by Connie Schaertl

Boundary: Bleed area may not be visible.

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Grandpa's Harley Tote Bag

Connie Schaertl

by Connie Schaertl

$30.00

Size

Image Size

 
 

Background Color

 
R(110) G(115) B(114)

Product Details

Purchase a tote bag featuring the painting "Grandpa's Harley" by Connie Schaertl.   Our tote bags are made from soft, durable, poly-poplin fabric and include a 1" black strap for easy carrying on your shoulder.   All seams are double-stitched for added durability.   Each tote bag is machine-washable in cold water and is printed on both sides using the same image.

Ships Within

2 - 3 business days

Additional Products

Grandpa's Harley Painting by Connie Schaertl

Painting

Grandpa's Harley Canvas Print

Canvas Print

Grandpa's Harley Framed Print

Framed Print

Grandpa's Harley Art Print

Art Print

Grandpa's Harley Poster

Poster

Grandpa's Harley Metal Print

Metal Print

Grandpa's Harley Acrylic Print

Acrylic Print

Grandpa's Harley Wood Print

Wood Print

Grandpa's Harley Greeting Card

Greeting Card

Grandpa's Harley iPhone Case

iPhone Case

Grandpa's Harley Throw Pillow

Throw Pillow

Grandpa's Harley Shower Curtain

Shower Curtain

Grandpa's Harley Tote Bag

Tote Bag

Grandpa's Harley Weekender Tote Bag

Weekender Tote Bag

Grandpa's Harley T-Shirt

Apparel

Grandpa's Harley Coffee Mug

Coffee Mug

Grandpa's Harley Spiral Notebook

Spiral Notebook

Grandpa's Harley Fleece Blanket

Fleece Blanket

Tote Bag Tags

tote bags vintage tote bags motorcycle tote bags harley tote bags man tote bags 1920s tote bags

Painting Tags

paintings vintage paintings motorcycle paintings harley paintings man paintings 1920s paintings

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About Connie Schaertl

Connie Schaertl

Our lives are permeated with stories of all shapes, sizes and flavors, most of which we have little conscious awareness. I've always been drawn to stories, and that may well be what drew me to art. As a child I loved illustrations, and as an adult I worked as an illustrator. But simply illustrating a given story is limiting. Now that I'm free to paint what I want, I choose more ambiguity in my subject matter. Instead of merely presenting a story, I seek to stimulate a seed in the viewer, an invitation to co-create the experience of the painting according to the wealth of life, thought and perception he or she brings to the viewing. I have studied under Carolyn Anderson, Edward Povey and Michelle Torrez and have consistently won awards in...

 

$30.00