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Horse Spiral Notebook featuring the painting The Signal by Connie Schaertl

Boundary: Bleed area may not be visible.

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The Signal Spiral Notebook

Connie Schaertl

by Connie Schaertl

$14.00

Size

Image Size

 
 

Product Details

Our spiral notebooks are 6" x 8" in size and include 120 pages which are lined on both sides. The artwork is printed on the front cover which is made of thick paper stock, and the back cover is medium gray in color. The inside of the back cover includes a pocket for storing extra paper and pens.

Ships Within

2 - 3 business days

Additional Products

The Signal Painting by Connie Schaertl

Painting

The Signal Canvas Print

Canvas Print

The Signal Framed Print

Framed Print

The Signal Art Print

Art Print

The Signal Poster

Poster

The Signal Metal Print

Metal Print

The Signal Acrylic Print

Acrylic Print

The Signal Wood Print

Wood Print

The Signal Greeting Card

Greeting Card

The Signal iPhone Case

iPhone Case

The Signal Throw Pillow

Throw Pillow

The Signal Shower Curtain

Shower Curtain

The Signal Tote Bag

Tote Bag

The Signal Round Beach Towel

Round Beach Towel

The Signal Beach Towel

Beach Towel

The Signal Portable Battery Charger

Portable Battery Charger

The Signal Bath Towel

Bath Towel

The Signal T-Shirt

Apparel

The Signal Coffee Mug

Coffee Mug

The Signal Spiral Notebook

Spiral Notebook

The Signal Fleece Blanket

Fleece Blanket

Spiral Notebook Tags

spiral notebooks horse spiral notebooks native american spiral notebooks indian spiral notebooks figurative spiral notebooks

Painting Tags

paintings horse paintings native american paintings indian paintings figurative paintings

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About Connie Schaertl

Connie Schaertl

Our lives are permeated with stories of all shapes, sizes and flavors, most of which we have little conscious awareness. I've always been drawn to stories, and that may well be what drew me to art. As a child I loved illustrations, and as an adult I worked as an illustrator. But simply illustrating a given story is limiting. Now that I'm free to paint what I want, I choose more ambiguity in my subject matter. Instead of merely presenting a story, I seek to stimulate a seed in the viewer, an invitation to co-create the experience of the painting according to the wealth of life, thought and perception he or she brings to the viewing. I have studied under Carolyn Anderson, Edward Povey and Michelle Torrez and have consistently won awards in...

 

$14.00